Mauro Bambi & Cristina Di Girolami & Salvatore Federico & Fausto Gozzi, Helen Allen & Grigoria Christodoulou & Stephen Millard, As a circus, traveling from city to city, performing to diverse audiences, the research move from a literature to another, dialoguing with concepts. Dear Helen, thank you for being an inspiration! I Also: Martin de Jong, Simon Joss, Daan Schraven, Changjie Zhan, and Margot Weijnen. LE LITTORAL FOLIO INVESTING
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And, her desire to be recognized as an artist is magnificently realized in the attention accorded to the Owl House and Camel Yard. Her artwork, once an object of derision and embarrassment, has become the single most important asset of the village of Nieu Bethesda. Koos Malgas In order to accomplish the transformation of her environment, Helen Martins hired the services of local workmen. And when Miss Helen turned her attention to the outside of the house, she asked Piet van der Merwe to help her transform her ideas into reality.
Over the years, Koos developed techniques at manufacturing cement and glass sculptures and learnt how to work with these difficult materials. Miss Helen obviously appreciated his ability to interpret her ideas and together they created the sculptures in the Camel Yard. Every sculpture would be discussed beforehand, usually over early morning coffee in the kitchen.
They worked together to engineer each new inspiration into being. Koos spent twelve years working with Miss Helen on the Camel Yard until her death in He stayed in the district for a further two years until he relocated to Worcester.
She finished her schooling in Graaff-Reinet with a teaching diploma then married Johannes Pienaar, who was a teacher and dramatist. Their marriage was not a happy one, and after seeing parts of the country, Helen returned to Nieu Bethesda in so that she could care for her frail parents. Her mother passed away in ; her father in It was only once she was on her own, that she sought to transform her home, as a reflection of her quest to bring wonder, magic and light into her existence.
Her passion for and involvement in her work was to the detriment of her own health, which may have contributed to her increased reticence to being seen in public. At 78, crippled by arthritis and suffering increased loss of vision — the latter possibly damage caused through her working with ground glass — Helen took her own life by drinking a mixture containing caustic soda. Her fear of being separated from her beloved Owl House was so great that she would rather end her life than be removed to live elsewhere.
Miss Helen was rushed to hospital in Graaff-Reinet, where she died three days later, on August 8, , though her legacy continues to bring joy and wonder to many who visit her home. Koos Malgas In order to accomplish the transformation of her environment, Helen Martins hired the services of local workmen.
And when Miss Helen turned her attention to the outside of her house, she asked Piet van der Merwe to help transform her ideas into reality. An early cement owl constructed by Piet remains in the Camel Yard today. Around this time, Helen Martins employed itinerant sheepshearer and builder Koos Malgas.
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